摘要
人机协同的元宇宙中,人与科技机器融合形成新型创作主体——赛博人。赛博人创作数字产品的实质性贡献不仅来源于人,也来源于科技机器。2020年修正后的《著作权法》的作品类型开放式立法模式,为非典型数字产品的可版权性提供了形式上的可行性。作为可版权性的实质要件,独创性标准具备内嵌的模糊性与不确定性。个性化印记等人格因素逐渐被祛魅,著作权法保护的是赛博人“最低限度”创作的智力结果,并非保护创作意图和创作过程。在著作权法公共政策理念下,数字产品的独创性标准判断应由作者中心主义(主观标准)转向作品中心主义(客观标准)。为实现法的安定性与一般正义原则之间的平衡,法官面对非典型数字产品可版权性纠纷时,可遵循归入法、拆分法、过滤法的判定路径。
In the metaverse of machine synergy,humans and technological machines are integrated to form a new type of creative subject,i.e.,cybermen.The substantial contributions of cybermen to creating digital products come not only from humans,but also from technological machines.The newly revised Chinese Copyright Law provides a formal feasibility for the copyrightability of atypical digital products because of the open-ended legislative model for the type of works.As an essential requirement of copyrightability,the originality standard has its own built-in ambiguity and uncertainty.Personality factors such as personalized imprints are gradually being disenchanted.Copyright protects the intellectual results of cybermen's"minimum"creations,not the creative intentions and creative process.Under the copyright public policy,the judgment on the originality standard of digital products should shift from author-centrism(subjective standard)to work-centrism(objective standard).In order to achieve a balance between the stability of the law and the general principles of justice,when faced the disputes over copyrightability of atypical digital products,judges can decide through the classification method,the splitting method,and the filtering method.
出处
《知识产权》
CSSCI
北大核心
2022年第7期20-46,共27页
Intellectual Property
基金
国家社会科学基金重大项目“创新驱动发展战略下知识产权公共领域问题研究”(批准号:17ZDA139)
广东省哲学社会科学规划青年项目“智能机器生成数据权益的配置进路”(批准号:GD21YFX01)的阶段性成果。
