摘要
朱光潜毕生持守的“主客观统一”的美论，基于对审美对象的哲学—心理学分析，前期为“意象”说，后期为“物乙”说。这一分析融会中西，特别是转向马克思主义以后，力图从审美的根源之地——物质感性的历史性实践中解说审美对象形成的秘密，为中国现代美学提出了美论。
The aesthetics, upheld by Zhu Guangqian throughout his life, emphasizes the unity between the subjective and the objective. Defined as the theory of “image” in the early part of his career and “object 2” in the latter, it is based on the philosophical and psychological analysis of aesthetic object. Together with this analysis, which fuses the oriental and western conceptions, the fact that after he turned to Marxism he tried his best to uncover the secret of the formation of an aesthetic object from the origin of aesthetics——the historical practice of physical senses——created a series of important subjects concerning beauty and the sense of beauty for Chinese modern aesthetics.
