摘要
丰子恺绘画鲁迅小说作为“漫画初兴”的实绩,为连环图画进入文艺史提供了有力的辩护。从时空设置来看,丰子恺将故事定位在“清末”,又不限于“绍兴”一地,再加之以“题画”“远近法”的使用,表现了鲁迅小说的深刻内涵与艺术张力。从形象来看,丰子恺运用黑白两色描绘天象、勾勒人物、表达模糊性与荒诞感,又通过两类笑容表现温情与讥讽,呈现出思乡与批判的双重内涵。从风格来看,变形手法的使用、回忆的实化处理、儿童与动植物的增绘等改编在忠于原作“揭出病苦,引起疗救的注意”的主旨之外,增加了故事的童趣,同时又与1930年代鲁迅的儿童教育观相契合。概言之,丰子恺绘画鲁迅小说是较早的具有现代意义的儿童画本范例,为鲁迅作品走向大众,甚而文艺的大众化作出了积极贡献。
Feng Zikai's painting of Lu Xun's novels,as a practical achievement of the"initial rise of comics",provided a strong defense for the entry of the comic book into the literary history.From the perspective of the spatiotemporal setting,Feng Zikai located the story in the"late Qing Dynasty",but not confined to"Shaoxing",and expressed the profound connotation and artistic tension of Lu Xun's novels through the use of the"inscriptions on paintings"and the"distance method",etc.From the perspective of imagery,Feng Zikai employed black and white colors to depict celestial phenomena,sketch characters,express ambiguity and absurdity,as well as showcased warmth and sarcasm through two types of smiles,presenting a dual connotation of homesickness and criticism.In terms of the style,the use of transformation techniques,the materialization of memories,as well as the addition of illustrations of children,animals,and plants not only remain true to the original theme of"exposing the malady and drawing attention to the need for treatment",but also add a childlike charm to the story and meanwhile align with Lu Xun's view on children education in the 193Os.In short,Feng Zikai's painting of Lu Xun's novels is an early example of children's picture books with modern significance,which has made positive contributions to the popularization of Lu Xun's works and even the popularization of literature and art.
作者
丰杰
FENG Jie(College of Literature and Journalism,Xiangtan University,Xiangtan 411105,China)
出处
《海南师范大学学报(社会科学版)》
2025年第1期43-51,共9页
Journal of Hainan Normal University(Social Sciences)
基金
湖南省教育厅科学研究优秀青年项目“当代儿童读物中的鲁迅形象研究”(23B0127)。
关键词
丰子恺
鲁迅
漫画
怪诞
童趣
Feng Zikai
Lu Xun
cartoons
grotesque
childlike charm
