摘要
莱考夫与约翰逊所提出的隐喻性概念理论,为从认知语言学角度解读《源氏物语》的原文本提供了一种新的可能,也为探讨《源氏物语》译本中隐喻性概念“不可读性”问题提供了一个诠释空间。以《源氏物语》的原文本及中译本为范例,诸如露、紫色、唐物为代表的一系列“隐喻性概念”,蕴含了层次丰富且错综复杂的文化意涵。但是,中文读者可能会困囿于历史时空的局限。在这种局限下,既存在着基于文化重叠意象的共通认识,也涌现出了文化超验意蕴下的比附诠释,还不可避免地产生了“文化乖离”。针对这样的翻译中可读性与不可读性的问题,需要采取一种“跨文化对话”的方式予以正确对待,也需要以一种“文明互鉴”的方式尝试解决。
The Metaphorical Concept theory proposed by Lakoff and Johnson provides a new possibility for interpreting the original text of The Tale of Genji from the perspective of cognitive linguistics,and also provides an explanatory space for discussing the issue of"unreadable"Metaphorical Concepts in the translations of The Tale of Genji.Drawing inspiration from the original text and the Chinese translations of The Tale of Genji,a group of"Metaphorical Concepts"represented by dew,purple,and"karamono"have extremely complex connotations.However,Chinese readers may be trapped in the problem of historical time and space,where there is a common understanding based on cultural overlapping imagery,as well as the emergence of metaphorical interpretations under cultural transcendental connotations,and inevitably leading to"cultural deviation".In response to the issues of readability and unreadability in such translations,it is necessary to adopt a"cross-cultural dialogue"approach to treat them correctly,and also to try to solve it through a"mutual learning of civilizations"approach.
作者
王云洁
姚继中
WANG Yunjie;YAO Jizhong
出处
《语言与文化论坛》
2024年第2期112-123,共12页
Forums of Language and Culture
基金
国家社科基金重点项目“日本思想中的中国传统文化记忆研究”(项目编号:20AWW002)的阶段性成果。
关键词
隐喻性概念
《源氏物语》
文化乖离
Metaphorical Concept
The Tale of Genji
Cultural deviation
