摘要
在小说《出关》中,鲁迅对老子的改写态度一直是被讨论的焦点。小说以《史记》《庄子》为故事依据,重点对老子和众人的语言及形象进行改写,最终将老子漫画成一个徒作大言的“空谈家”形象。联系鲁迅的老庄研究专章《汉文学史纲要·老庄》,将其笔下作为客观历史人物存在的老子与被漫画化的老子形象进行对读,还可构成重新解读《出关》文本的互文角度。在两篇文章中,鲁迅分别就老子的“无为”表达了自己的肯定与批判态度,看似是两次相互矛盾的评价,实则展现了鲁迅对老子思想的整合认识。比起思索过去,鲁迅更急于将历史打破,寻找于“现在”有利的药方,而《出关》即是在《汉文学史纲要·老庄》基础上的一次颠覆与整合,并将抽象的传统哲学纳进现实作最后的观照与探索。
In the novel Out of the Pass,Lu Xun's attitude towards the rewriting of Lao Tzu has always been the focus of discussion.Based on Records of the Historian and Chuang Tzu,the novel focuses on rewriting the language and image of Lao Tzu and other persons,thus caricaturing Lao Tzu as an“empty talker”.In connection with Lu Xun's specific research chapter on Lao Tzu and Chuang Tzu in Lao Tzu and Chuang Tzu--An Outline of the Chinese Literary History,a reinterpretation of the text of Out of the Pass can also be conducted from an intertextual perspective by contrasting the existence of Lao Tzu as an objective historical figure with the caricatured image of Lao Tzu in his writing.In the two articles,Lu Xun expressed his affirmative and critical attitude toward Lao Tzu's“thought of letting things take their own course”(inaction),which seems to be two contradictory evaluations,but actually shows Lu Xun's integrated understanding of Lao Tzu's thought.Rather than dwell on the past,Lu Xun was more eager to break through history and find a remedy for the“present”;while Out of the Pass is a subversion and integration based on Lao Tzu and Chuang Tzu--An Outline of the Chinese Literary History,and incorporates the traditional abstract philosophy into reality for a final reflection and exploration.
作者
王苾妍
张武军
WANG Bi-yan;ZHANG Wu-jun(School of Liberal Arts,Southwest University,Chongqing 400715,China)
出处
《海南师范大学学报（社会科学版）》
2023年第3期10-17,共8页
Journal of Hainan Normal University(Social Sciences)
基金
国家社会科学基金一般项目“国民革命与革命文学的历史检视”(22FZWB078)。
关键词
鲁迅
《故事新编》
《出关》
《汉文学史纲要》
互文
Lu Xun
A New Collection of Stories
Out of the Pass
An Outline of the Chinese Literary History
intertextuality
