摘要
我国现在处于快速城镇化发展稳定期,在后疫情时代国土空间规划背景下,能否实现“人与自然”更好的融合,再现诗意的景观是值得思考的问题。位于陕西省西安市的乐游原青龙寺在隋唐时期从自然山水到融于山水的营建给古人带来了丰富、美好的景观体验。本文以中国地景文化为脉络,通过对比分析青龙寺两次大规模营建及发展情况,将不同时空自然客观环境与人文需求相融合,解析景观“认知、感知、表达、营建”过程、演替规律,以及中国地景文化在景观认知过程中的重要作用,并尝试通过对比两个景观认知周期特点思考现今所处阶段及不足,以期为再现盛世的诗意景观提供参考。
China is now in the post stable period of rapid urbanization. It is worth considering whether we can achieve a better integration of “human and nature” and reproduce the poetic landscape under the background of post epidemic era and land space planning.Located in Xi’an, Shaanxi Province, Leyouyuan Qinglong Temple was built from natural landscape to integrated landscape during the Sui and Tang Dynasties, which brought a rich and beautiful landscape experience to the ancients. Taking the Chinese landscape culture as the context, this paper compares and analyzes the two large-scale construction and development of Qinglong Temple, integrates the natural objective environment and humanistic needs in different time and space, and analyzes the process of “cognition, perception,expression and construction” and the succession law, as well as the important role of Chinese landscape culture in the process of landscape cognition. By comparing the characteristics of the two landscape cognitive cycles, this paper tries to think about the current stage and shortcomings, in order to provide a reference for reproducing the poetic landscape in the prosperous era.
作者
王晶
刘晖
王娜
Wang Jing;Liu Hui;Wang Na
出处
《城市建筑》
2022年第24期186-189,共4页
Urbanism and Architecture
关键词
中国地景文化
景观认知
乐游原
青龙寺
China landscape culture
landscape cognition
Leyouyuan
Qinglong Temple
