摘要
长期以来中国室内设计史的研究都集中于明清两朝,民国时期家居的具体布局方式一直是我国室内设计史中的一个空缺。而民国时期的家居布局方式却不同于中国任何一个时期,具有鲜明的时代特征。因此这方面研究的匮乏,对完善中国室内设计史的研究是一种缺憾,对眼下颇为流行的民国风商业空间的设计也缺少了一份重要的理论依据。通过对民国时期上海电影镜头的分析和研究,复原出当时上海地区家居布局的平面图,并借此从民国家居布局的美学特征和功能特征两个方向入手进行研究。挖掘出了民国时期上海地区的家居布局具有非对称美、非规则美、搭配精致美和多功能性、非模式化、阶层差异性的特征。
For a long time, the research on the history of Chinese interior design has focused on the Ming and Qing Dynasties.The furniture layout in the period of the Republic of China has always been a vacancy in the history of interior design in China.However, the furniture layout in the period of the Republic of China is different from that in any other periods in China, with distinct characteristics of the times. Therefore, the lack of research in this area is a pity to improve the research on the history of Chinese interior design, leading to the absence of an important theoretical basis for the design of the Republic of China-style commercial space which is very popular now. Through the analysis and research of Shanghai film lens in the period of the Republic of China, this paper restores the plans of furniture layout in Shanghai at that time, and further conducts research from two directions of the furniture layout aesthetic characteristics and functional characteristics in the period of the Republic of China. And it is found that the furniture layout in Shanghai during the period has the characteristics of asymmetric beauty, irregular beauty, exquisite collocation beauty, versatility,non patterning and class differences.
作者
张颖泉
徐晶
吴智慧
Zhang Yingquan;Xu Jing;Wu Zhihui
出处
《家具与室内装饰》
北大核心
2022年第11期113-119,共7页
Furniture & Interior Design
基金
江苏省教育厅2019年高校哲学社会科学研究项目(2019SJA0482)。
关键词
民国
上海
家居布局
设计特征
The period of the Republic of China
Shanghai
Furniture layout
Design characteristic
