摘要
《中兴瑞应图》由十二段画面构成,描绘了赵构自出生至建立南宋之前以康王身份活跃于历史舞台的诸种“瑞应”事件。该图有诸多传本,彼此之间存在一定差异,这些差异对于考察画作版本具有一定价值。作为一部具有“史诗”性质的连环画卷,《中兴瑞应图》具有纪实性、选择性、文献性及图文互补性特征,既再现了复杂的历史,又蕴含了丰富的传说,对探究显仁皇后与“四圣”,康王与“崔府君”及“泥马渡康王”等故事渊源具有重要的参考价值。
The Propitious Signs of Resurgence,composed of twelve scenes,depicts the various“propitious signs”that appeared before Zhao Gou,the first emperor of Southern Song Dynasty,ascended the throne as Lord Kang.There are various versions of“The Propitious Signs of Resurgence”which are different from each other in the details.Those details have a certain value in differentiating the specific versions.As a painting series of epic nature,“The Propitious Signs of Resurgence”is featured with its functions as a chronicle,a selection of stories,a source of literature and a combination of pictures and texts.It records complex historical facts and various legends,offering valuable materials for studying the anecdotes such as Empress Xianren and the“Four Deities”,Lord Kang and“Cuifujun”,and“Lord Kang Passing the River on a Mud Horse”.
出处
《美术》
CSSCI
北大核心
2022年第6期107-112,共6页
Art Magazine
基金
河南省哲学社会科学规划项目“清代幕府编刊地方诗歌总集研究”(项目编号:2020BWX028)的阶段性研究成果。
关键词
《中兴瑞应图》
画面意蕴
文献价值
The Propitious Signs of Resurgence
connotation of image
bibliographical value
