摘要
2021年中国民族音乐学研究在继续沿袭前一年热点研究的基础上,更具宏观视野。主要表现在:回顾和反思民族音乐学的“中国实践”与“中国经验”,围绕“学术、学科、话语‘三大体系’”建设进行探索,尤其是对学科史的整体梳理和微观学术史研究的尝试;拓展城市民族音乐学研究的新视野和新思考,诸如“概念与内涵”“区域化探索”“多点田野考察”;将音乐文本置于历史文献中,结合田野考察的活态表演进行互证,总结历史民族音乐学研究的范式与经验;关注音乐事项和声音景观的变迁与重构;拓宽音乐地理学与区域音乐研究的新路径,尤其采用“流域、通道、走廊”等视角,进行音乐与“路”文化空间的互动关系研究,在跨界族群音乐研究方面有所突破。
In 2021,research on Chinese ethnomusicology followed the previous year’s research on hot topics with a more broader perspective,which are manifested in the following aspects.Firstly,it reviews and reflects on the“Chinese practice”and“Chinese experience”of ethnomusicology and it explores the construction of the“three major systems”of scholarship,discipline,and discourse,especially the overall study of the history of the discipline and the attempt to conduct micro-academic history research.Secondly,it expands new horizons and thinking of urban ethnomusicology research,such as“concept and connotation”,“regional exploration”,“multi-sited fieldwork”.Thirdly,it explores the paradigm and experience of historical ethnomusicological research by placing musical texts in historical documents(texts,oral narratives)and combining them with living performances in current fieldwork for cross check.Fourthly,it focuses on the changes and reconstructions of music issues and soundscapes.Fifthly,it broadens new path of music geography and regional music research,especially it uses the perspectives of“watershed,channel and corridor”to study the interaction between music and“road”cultural space,making a breakthrough in the study of music of cross-border ethnic groups.
作者
刘嵘
刘伟
Liu Rong;Liu Wei(the Institute of China Music School,Chinese Conservatory of Music,Beijing,100101;China Music Research Base,Chinese Conservatory of Music,Beijing,100101)
出处
《民族艺术研究》
CSSCI
2022年第2期59-65,共7页
Ethnic Art Studies
基金
中国音乐学院“科技创新服务能力建设——基本科研业务费——民族音乐学学科史研究”(项目批准号:20222002)的阶段性研究成果。
