摘要
武陵山区少数民族音乐文化研究团队,经过扎实的田野调查和个案研究,首先针对某个单一民族的族性音乐研究打下较为坚实的基础,在此基础上进一步将少数民族音乐置于更为广阔和复杂的区域文化视野下进行审视,从而将该少数民族音乐文化作为一个相对完整的文化板块进行研究。即从对单一民族音乐的族性探讨扩大到区域视野下的音乐文化板块研究,进而借助通道的视角将不同的文化板块连接起来,整体呈现出由个案到比较、由静态到动态、由单点到多点、由单一到多元的研究趋势。
The research group of ethnic musical culture in the Wuling Mountain area has done sound fieldwork and case studies so as to lay a solid foundation of the study of ethnic music of a single nationality, after which the case study can be examined in a broader and more complex regional cultural context. Thus, the ethnic musical culture can be studied in a comparatively complete cultural context. This means that the discussion of the ethnicity of a single ethnic music can be extended into a musical cultural context in a regional perspective, which, then can be connected to different cultural contexts in the perspective of passage. This is a research trend where case study changes from case study to comparativeness, from static to dynamic, from a single site to multi-sites, from singular to multiplicity.
作者
刘嵘
梁怡
Liu Rong;Liang Yi(Institute of Chinese Music School,Chinese Music Research Base,Beijing,100101;Chinese Conservatory of Music,Beijing,100101)
出处
《民族艺术研究》
CSSCI
2021年第3期45-51,共7页
Ethnic Art Studies
基金
2021年北京市教委科研平台专项资金项目“民族音乐学学科史研究”的阶段性研究成果。
关键词
田联韬
土家族音乐
区域音乐
武陵走廊
微观学术史
Tian Liantao
Tujia music
regional music
Wuling corridor
Micro history of academics
