摘要
在丝绸之路沿线国家及地区跨时空的文化交流中,胡汉乐舞文化曾以"输入""输出""中转""回授""同化""变异"等方式进行过广泛而深入的交流。其间,胡乐舞作为一种重要的文化因素,对汉以前舞蹈传统形态之"稳定态"产生了冲击,促生了汉代舞蹈的新变,具体表现在舞服样式、表演关系、舞蹈动作姿态以及审美追求等方面。胡汉乐舞文化的交流不仅为汉代舞蹈的兴盛提供了重要的驱动力,更为后世舞蹈的发展特别是中外乐舞文化的交流奠定了良好基础。
In the cultural exchanges across time and space in countries and regions along the Silk Road,the Hu-Han music and dance culture has carried out extensive and in-depth exchanges by means of"input","output","transfer","feedback","assimilation"and"variation".During this period,as an important cultural factor,the Hu music and dance had an impact on the"stable state"of traditional dance forms before the Han Dynasty,and promoted the new changes of dance in Han Dynasty,which were embodied in the style of dance costume,performance relationship,dance movement and posture,and aesthetic pursuit.The cultural exchanges of Hu-Han music and dance not only provided an important driving force for the prosperity of dance in Han Dynasty,but also laid a good foundation for the development of dance in later generations,especially the exchanges of music and dance culture between China and foreign countries.
作者
周仪
ZHOU Yi(Dance Department,Wuhan Conservatory of Music,Wuhan 430060,China)
出处
《北京舞蹈学院学报》
CSSCI
2020年第3期62-67,共6页
Journal of Beijing Dance Academy
基金
国家社会科学基金重大项目“丝绸之路中外艺术交流图志”(项目编号16ZDA173)之“乐舞艺术卷”阶段性成果。
关键词
丝绸之路
胡汉文化
乐舞交流
汉代舞蹈
the Silk Road
Hu-Han culture
music and dance exchanges
dance in Han Dynasty
