摘要
近百年来,新诗继承了传统诗歌的政治美学观,演绎着一曲曲政治的悲歌,构筑着一幅幅历史的幻象。建国以前,新诗在救亡图存的政治镜像中,显得悲壮苍凉,在历史的兴叹中充满着渴望。新中国成立以来至70年代末,新诗在政治的激情狂想中延续着悲情的传统,徜徉在文学的意识形态想象中。新时期以来,激情退却的新诗变得成熟平稳,开始了反思与批判及对政治意识形态的疏离。新诗的百年可以说是与政治意识形态紧密相关的,在不同的时期呈现出不同的政治悲歌和幻象21世纪以来,新诗在很长时间内将继续这一传统的传唱。
The poetry in the last hundred years of history, inherited the political aesthetics of tradition- al poetry, interpreting the tragedies of politics and building an illusion of history. Before the founding of nation, poetry in the political mirror looked magnificent desolation, and was full of desire in the history of the sigh. From the founding of the nation to the end of 1970s, poetry in the political passion of fantasy con- tinues the tragic tradition, wandering around the literary imagination of the ideology. Since the new era, poetry become matures; started reflection and criticism and alienated the political ideology. Century poetry can be closely associated with the political ideology, showing a different political elegy and illusion at dif- ferent times. In the new century, poetry will continue this tradition of sung in a very long time.
作者
张晶晶
Zhang Jingjing(The Literature and Law Institute,Henan Polytechnic University,J iaozuo,45400)
出处
《语文学刊》
2018年第4期66-70,共5页
Journal of Language and Literature Studies
基金
河南省哲学社会科学规划项目"中国当代文学雅俗流变及其文化动因研究"(2017BWX009)
关键词
政治美学
百年新诗
历史幻象
political aesthetics
century poetry~ illusion
