摘要
延安时期,陕甘宁边区民众剧团的秦腔音乐改革对戏曲发展具有重要影响。几位尚健在艺术家提供的口述资料显示,剧团成立之初的成员主要是晋剧艺人及秦腔音乐爱好者,很难在秦腔音乐改革中有所突破。随着演出活动及影响的扩大,剧团开始积极吸纳专业戏曲人才,如眉户艺人李卜和裕民剧团。在特殊政治环境下,剧团既演出现代戏,也演出传统戏,既演出秦腔、眉户、道情,也演出小型歌剧。
During the period of Yan＇an, the music reform of Shaanxi Opera in Shaanxi-Gansu-Ningxia border region played an important role in the development of opera. Oral materials presented by several old artists who are still alive, show that at the beginning of the establishment of the troupe, whose members were mainly Jin opera entertainers and Shaanxi music amateurs, and it was very difficult to make a breakthrough in the reform of Shaanxi music. With the expansion of the performance and influence, the troupe began to actively attract professional opera talents such as Li Bu, the Mei Hu Opera artist and the Yu Min Troupe. Under special political circumstances, the troupes not only perform modern drama but also perform traditional drama. Besides performing the Shaanxi, Mei Hu and Dao Qing Operas, troupes also perform the mini-operas.
作者
辛雪峰
赵江
XIN Xuefeng1， ZHAO Jiang2
出处
《艺术探索》
2018年第2期86-90,共5页
Arts Exploration
基金
2014年度陕西省哲学社会科学重点研究基地项目"黄河流域民间音乐研究"(14JZ045)
关键词
口述史
民众剧团
秦腔改革
老瓶装新酒
Dral History, Folk Troupe, Shaanxi Music Reform, New Wine in Old Bottles
