摘要
元代诗坛盛行隐逸之风、游历之风、雅集之风、题画之风,代表着元代文人心态和生活趣味的两种倾向:隐逸与游历,是诗人们走向自然的标志;雅集与题画,则标志着诗人们对文人生活的雅趣的热衷。元代文人在雅集中找到了心灵寄托和充分展示自身价值的平台。当他们充分享受了属于自己的生活乐趣,发现了自身的价值以后,便从内心真实地忘怀于世俗的权贵势利。考察元代文人的雅集之凤,对于了解元代文人生活状况,进而透视他们的心灵,把握元代文人精神世界,就成为元代文学研究的一个重要课题。
There are several ethos of poetry in the Yuan dynasty： the ethos of seclusion, peregrination, ele- gant meetings and the poetry inscribed on paintings. The ethos represented two different inclinations of the taste and the psychology of literati in the Yuan dynasty. Seclusion and peregrination marked poets＂ longing for nature, and the elegant meetings and the poetry inscribed on paintings represented the poets＇ enthusiasm of the elegant life. In those elegant meetings, literati in the Yuan dynasty found out where their hearts be- longs tot and also the platform where they can show their own value. After these, most importantly, they literally didn＇t care about the Vanity Fair any more. Study of the elegant meetings is very helpful to ac- knowledge the condition of literati in the Yuan dynasty, their spirits and minds. Therefore, this study is very important in the area of the literary elegant meetings in the Yuan dynasty.
出处
《安徽师范大学学报（社会科学版）》
CSSCI
北大核心
2013年第6期669-677,共9页
Journal of Anhui Normal University(Hum.&Soc.Sci.)
基金
国家哲学社会科学基金重点项目(10AZW003)
关键词
元代诗坛
文人雅集
元代文人心态
poetry in the Yuan Dynasty
elegant meetings the psychology of literati in the Yuan Dynasty
