摘要
陕北秧歌是植根于乡土世界与民众精神之中的具有广泛群众基础的传统民间文化形式之一。20世纪40年代,这一传统民间文化形式被发现并纳入中国共产党革命文艺建构与发展的全新轨辙。中国左翼革命对"民间"的发现以及借助对传统民俗活动的挖掘与利用来建构其文化新秩序的策略实施,使借鉴民间传统秧歌的表演形式而创造的新秧歌有了发生的契机,新秧歌运动在这一特定历史文化语境下得以展开。
Yangko,a popular folk dance in northern Shanxi province,which rooted deeply in countryside and ordinary people,is one of the most wide-spread traditional folk cultural form with the largest audience in China.In 1940s,this traditional performance was discovered and was adapted to the constitution and development of Chinese revelutional literature and art.The new style of Yangko based on the traditional folk performance has obtained the opportunity to occur and to grow.Due to the application of the new culture policy of The Left Wing of Chinese Communist Party,the folk dance was rediscovered and the tradition was passed on.Thus,the new Yangko movement began to prevail under the certain historical and cultural context.
出处
《青海师范大学学报（哲学社会科学版）》
2010年第6期98-103,共6页
Journal of Qinghai Normal University(Philosophy and Social Sciences Edition)
关键词
秧歌
新秧歌运动
民间文化
革命文艺建构
yangko
new yangko movement
folk culture
constituion of revelutional literature and art
