摘要
如何超越"二元对立"是中国当代美学不可回避的重要问题。20世纪初,王国维在其境界说中会通中西相关思想,从"超二元对立"的角度对中国传统文艺美学的基本问题进行现代转换尝试,其中提出的中国文艺美学超越"善、恶"经验二元、超越"超验与经验"二元和超越"主、客"二元的基本任务以及从超越"超验与经验"二元对立层面解决超越"主、客"对立问题的探索思路,对于中国传统文艺美学的现代转换及其当代建设具有重要意义。
How to surpass the perspective of binary oppositions? This is an unavoidable issue for modern Chinese aesthetics.In early 20th century,Wang Guowei made such a discussion based on his theory of state.He proposed a modern perspective in the research of the fundamental issues of traditional Chinese aesthetics of literature and art by taking into consideration both the Chinese and western theories of binary oppositions.His unique exploration is of great significance for modern transformation and reconstruction of traditional Chinese aesthetics of literature and art.
出处
《东南大学学报（哲学社会科学版）》
CSSCI
北大核心
2010年第5期116-121,共6页
Journal of Southeast University(Philosophy and Social Science)
