摘要
以明清家具484幅雕饰图案为样本(其中:明式255幅,清式229幅),采用方差分析(ANOVA)对明式和清式家具不同雕饰部位使用特定雕饰题材的强度(偏好)差异,以及明清家具相同部位使用各题材强度(偏好)的差异进行了分析,并从文化和审美的角度,对这些差异的缘由作了简要剖析。研究结果表明:①明式与清式家具各雕饰部位对题材的选用存在较大的差异性;②明清家具特定雕饰题材在各雕饰部位的使用,具有明显的偏好规律;③明清家具相同雕饰部位使用各题材的强度(偏好),既有一定的传承性,又有较大的时代变化性。
The 484 carved patterns on Ming and Qing furniture were analyzed by ANOVA to have a comparative study of the Ming and Qing furniture＇s preference of different carved ornaments themes on various ornaments positions on Ming and Qing furniture. The paper also briefly explained reasons for these diversities from culture and aesthetics perspectives. The results showed that （ 1 ） carved ornaments themes used on Ming and Qing furniture were diverse; （2） there Was significant correlation between carved ornaments themes and positions; and （3） the preferences that a specific position adopted carved ornaments theme were various between Ming and Qing Dynasties. [Ch, 5 tab. 17 ref.]
出处
《浙江林学院学报》
CAS
CSCD
北大核心
2007年第5期627-632,共6页
Journal of Zhejiang Forestry College
基金
浙江省教育厅资助项目(20030566)
关键词
林业工程
明清家具
雕饰题材
雕饰部位
方差分析
forest engineering
Ming and Qing furniture
carved ornaments＇ theme
carved ornaments＇ position
ANOVA
