摘要
本文以连贯为切入点探讨小说翻译问题,将连贯区分为无标记连贯和有标记连贯,指出在文学作品中,有些表层联系断裂的表达方式往往并不是作者的表达不妥,也不是源语与目标语在表达方式或语言系统上的差异,而是一种积极性的诗学体现,因而是一种有标记连贯,是文学作品中的文学性的一种体现方式。这种具有诗学价值的断裂一旦在翻译过程中被连通,也就是将有标记连贯改写成无标记连贯,那么原文诗学价值就必定会受到影响。
This paper explores the translation of fiction in terms of coherence and proposes the concepts of unmarked coherence and marked coherence to describe the gains and losses in translation. It argues that the surface disconnectedness in literary works tends to be poetically motivated and should be viewed as a case of marked coherence rather than something ungrammatical, illogicall or improper. It is not caused by different expressive conventions or even different language systems. Once this surface disconnectedness is reorganized as a well_connected expression, the marked coherence becomes an unmarked one, the poetic value of the original concerned is bound to be ruined.
出处
《外语教学与研究》
CSSCI
北大核心
2006年第5期303-308,共6页
Foreign Language Teaching and Research
基金
2003年国家社会科学基金项目(03BYY002)的阶段性成果
