摘要
朦胧诗后先锋诗歌的历史充满反叛性,它的反叛破坏大于建设,疏离多于超越;它对意象与象征艺术的解构、日常性叙述的重视、多元技巧的综合调试,刷新了新诗的本质内涵;它的民刊策略和边缘立场,在保证先锋性同时,表明自身还存在着典型的亚文化特征。
The history of the post - avant - gardist poems among the so called ＂clouding poetry＂ is full of rebellion which expresses more destruction than construction, and more alienation than transcendence. In deconstructing image and symbolic art, whereas paying more attention to the daily narration and multi - techniques, it renewed the essence of modem Chinese poetry. While keeping the way of avant - gardism, it also shows typical sub - cultural features through its popular journal strategy as well as marginal positions.
出处
《南开学报（哲学社会科学版）》
CSSCI
北大核心
2006年第3期103-110,共8页
Nankai Journal:Philosophy,Literature and Social Science Edition
关键词
反叛
原创
实验
民刊策略
边缘立场
Rebellion
Original
Experiment
Popular Journal Stratagem
Marginal Positions
