摘要
为厘清东昌府木版年画的发展困境及传承机理,本文从文化再生产理论视角出发,对东昌府木版年画的传承发展进行解构与重构。非遗语境下的年画传承在本质上是文化不断调适、更新的再生产过程,年画艺人、本地居民、地方政府、大众传媒等行动者是介入再生产的主要力量。内化于心的传承人责任是年画艺人坚守技艺的精神动力,尚未成型的年画经济极大地影响了本地居民参与年画传承的积极性,地方政府在年画文化再生产的历程中掌握着主导话语权,利益导向的大众传媒进一步推进年画象征性资本的积累与转换。在社会变迁及现代思潮的碰撞中,东昌府木版年画的传承发展可从以下几个方面展开。健全艺人梯队,延续年画脉搏;转换文化观念,提高文化自觉;增强扶持力度,引导年画市场;积极探索创新,实现活态传承。
In order to clarify the development dilemma and inheritance mechanism of Dongchangfu woodcut New Year pictures,this article deconstructs and reconstructs the inheritance and development of Dongchangfu woodcut New Year pictures from the perspective of cultural reproduction theory.Result the inheritance of New Year pictures in the context of intangible cultural heritage is essentially a reproduction process of cultural adjustment and renewal.Actors such as artists of New Year pictures,local residents,local governments and mass media are the main forces involved in reproduction.The responsibility of inheritors internalized in the heart is the spiritual motivation for artists to stick to their skills;the unformed economy of New Year pictures has greatly affected the enthusiasm of local residents to participate in the inheritance of New Year pictures;the local government holds the dominant voice in the process of cultural reproduction of New Year pictures;the interest oriented mass media further promotes the accumulation and transformation of symbolic capital of New Year pictures.Conclusion in the collision of social changes and modern thoughts,the inheritance and development of Dongchangfu woodcut New Year pictures can be carried out from the following aspects.Improve the artists’echelon and continue the pulse of New Year pictures,change cultural concepts and improve cultural consciousness,strengthen support and guide the market of New Year pictures,actively explore and innovate to realize the live inberitance.
出处
《运河学研究》
2022年第1期231-242,共12页
Canal Studies
关键词
文化再生产
木版年画
东昌府
传承机理
Cultural Reproduction
Woodcut New Year Pictures
Dongchangfu
Inheritance Mechanism
