摘要
"活态化"是非遗展览区别于其他类型展览最突出的特点,非遗展览的叙事策略是"见人""见物""见生活"。"见人"在于建构观众与非遗文化之间的情感联系,形成文化认同,"见物"在于明了非遗物品的具体功用及其文化意义,"见生活"在于传承非遗的文化基因和文化记忆。在策展手法方面,可以运用"加法"和"减法"原则来构建非遗展览内容,提升展览内容的可传达性,使观众可以感知非遗文化的博大精深,并乐于从事非遗文化的传播与传承活动。
The most prominent characteristics of an exhibition of intangible cultural heritages is"Living State",and the narrative strategy is"to see the people,to see the objects and to see the life"."To see the people"is to build the emotional connections between the audience and the intangible cultural heritage so the audience can identify themselves with the heritage."To see the objects"is to show the function and cultural significance of the objects.Lastly,"to see the life"means passing on the cultural genes and memories of the intangible cultural heritage.Curators can use the principle of"addition"and"subtraction"to organize the content of an exhibition to make the exhibition speak well to the audience,so that they can understand the richness and profundity of an intangible cultural heritage,and then devote themselves in the activities of promoting the heritage.
出处
《艺术与民俗》
2021年第2期11-17,共7页
Journal of Arts and Folklore
基金
2019年吉林省社科基金研究基地项目“以多媒体沉浸展方式向吉林省年轻群体传播二人转文化的策略研究”(项目编号:2019JD62)的阶段性研究成果
关键词
非遗策展
“活态化”叙事
关联建构
Intangible Cultural Heritage Curation
"Living State"Narrative
Connection Making
