摘要
在中国文学史上,京派是一个非常复杂难辨的文学现象。就京派的流派特性甚至存在与否等问题的认识,在京派当事人、海派分子、左翼和后来的革命文艺理论家等不同人的眼里存在严重分歧。这种分歧其实是由于他们各自采取了审美的、地域的、阶级的、文化的不同立场造成的。在透视并辨正种种歧出之后,我们清楚地看出京派的文艺自由主义的流派特性。
In Chinese modern literary history, Peking School is too complicated and difficult to clarify. About how to understand the character of Peking School ,or even whether it exists or not, different schools have different views. The reason of those differences lies in that they criticized Peking School from different angles such as esthetic,classical,regional and cultural. Through penetrating and clarifying all kinds of divarication, we can find clearly the literature liberalism of Peking School.
出处
《江西教育学院学报》
2004年第2期81-84,共4页
Journal of Jiangxi Institute of Education
