摘要
美学史上"审丑"逐渐从"审美"的统治中分离,这与非理性主义的崛起有着重要关系。在审美现代性的语境中,"审丑"成为艺术家们对抗工具理性下"异化"的一种极端策略,即通过夸张、扭曲、变形等手法,暴露当代社会的异化与空虚,进而关注人的本质与存在状况、人生的意义与态度。
Ugliness-appreciation has been separate from the rule of aesthetic appreciation in the history of aesthetics,which is closely connected with the rise of irrationalism.In the context of modern aesthetic appreciation,uglinessappreciation has been an extreme way to fight against instrumental reason,that is,disclosing the foreignization and emptiness of the modern society by way of hyperbole,distorting and transforming so as to be concerned about human's nature and living condition,life's significance and attitude.
出处
《郧阳师范高等专科学校学报》
2015年第4期42-45,共4页
Journal of Yunyang Teachers College
关键词
审丑
非理性
审美现代性
ugliness appreciation
irrational
modern aesthetic appreciation
