摘要
中国佛教造像主要分为汉藏两大系统,藏传佛教造像作为中国佛教造像艺术的重要组成部分,以其悠久的历史,恢宏的数量,独特的风格著称于世,其影响不仅在青藏地区,而且广泛流传到内地,并对汉地佛教造像艺术产生了巨大的影响。北京民族文化宫博物馆收藏有大量的藏传佛教文物珍品,大部分原为爱国人士、藏族女收藏家益西博真和北京故宫博物院所收藏,也有一些是建国以来历代班禅及达赖献给中央人民政府的礼品和博物馆历年征集的藏品,其中包括相当数量的藏传佛教金铜造像。这些造像举凡上师、诸佛、菩萨、本尊、护法、空行与地方诸神等多种品类,产地多为西藏,间有北京、内蒙古、尼泊尔、印度等地,时间跨越元、明、清三个朝代六百多年,大体涵盖了藏传佛教金铜造像的各个时期和地区的基本特征,为藏传佛教金铜造像的纪年分期、题材内容。
The Tibetan Buddhism statues are reputed over the world with its long history and gorgeous quantity,playing an important role in the art of Chinese Buddhism statues,which not only influences the QingZang area,but also goes around the hinterland resulting in the special style of Buddhism states art of the Han Nationality.There is a great number of cherished Tibetan Buddhism antiquity preserved by the Beijing National Cultural Palace Museum with various types and long history,which mostly reflect the basic characteristics of the gold and bronze statues of the Tibetan Buddhism for each period and region.It also provides important realistic historic data for the research of their chronicle,topics and contents,gesture and manner and art style.
出处
《东南文化》
2003年第2期6-27,共22页
Southeast Culture
