摘要
本文侧重考察明清两代徽州地区的演剧活动,从《率东重修程氏家谱》等文献资料中寻觅出了明中叶以前徽州演剧活动的踪迹,从傅岩的《歙纪》等资料中考察了明中叶以后徽州演剧活动的活跃情形,从现存的古戏台、罚戏碑和罚戏公约、戏曲楹联和抄本见出清代徽州演剧活动的普遍。同时,对在徽州长期演出的目连戏的历史、'仪式剧'的特色及艺术表现等进行了梳理和分析。
This article lays its special emphasis on the performance of operas in Huizhou area during the Ming and Qing Dynasty.From the document material of"The Revised Genealogy of the Cheng Families in Shuaidong"and others,it has sought out the trace of operas’performance in Huizhou before the middle Ming Dynasty;From the materials such as Fuyan’s"Records of She County",it has investigated the active conditions of operas’performance in Huizhou after the middle Ming Dynasty;From the existing age-old stages,the tablets and conventions of punish-opera,couplet writings and their hand-copied books about operas,it has showed the universality of the operas’performance in Huizhou during the Qing Dynasty.Furthermore,this article has also combed out and analyzed the history of"Mulian Opera"which has been performed over a long period of time,the characteristic and art expression of"Ceremony Play",etc.
出处
《徽学》
2002年第1期208-226,共19页
Journal of Hui Studies
