摘要
中国古代丧葬礼仪的仪程繁复,与之相伴而生的丧葬文书种类繁多、体式庞杂。与传世文集中文人创作的、更多侧重抒情审美性的祭亡类诗文相异,敦煌吐鲁番文献中保存的丧葬礼仪实用文书或文样,直接与殡葬活动相关联,能够较为完整地再现丧葬礼仪文书的实际运用场景,具有独特的文体学研究价值。中国古代的丧葬礼仪及其仪文系统,是儒、释、道三教文化共同作用的结晶。随着儒释道三教融合的加深,丧葬礼仪文书文体的交织、渗透与互摄现象也愈发明显。从文化视角研究丧葬文书文体的理论意义在于,它不仅深刻揭示了文体与文化之间内在的、不可分割的联系,还清晰展示了中国古代文体基于特定的行为方式和功能导向的演进机制。
The funeral rites in ancient China are complicated,and the funeral documents accompanying them are various and complicated.It is different from the sacrificial poems created by literati,which focus more on lyric aesthetics.Practical documents or samples of funeral rites preserved in Dunhuang Turpan literature are directly linked to funeral activities,can reproduce the actual application scenes of funeral ritual documents more completely,and have unique stylistic research value.The funerary ritual and its ritual system in ancient China are the crystallization of the three cultures of Confucianism,Buddhism and Taoism.With the deepening of the integration of Confucianism,Buddhism and Taoism,the interweaving,infiltration and mutual interaction of funerary ritual document styles are becoming more and more obvious.The theoretical significance of studying the style of funeral documents from the perspective of culture lies in that it not only deeply reveals the inherent and inseparable connection between style and culture,but also clearly demonstrates the evolution mechanism of ancient Chinese style based on specific behavior patterns and functional orientation.
作者
张慕华
ZHANG Muhua(Editiorial Department of Journal,Sun Yatsen University,Guangzhou,Guangdong 510275,China)
出处
《江西师范大学学报(哲学社会科学版)》
CSSCI
北大核心
2024年第6期117-127,共11页
Journal of Jiangxi Normal University(Philosophy and Social Sciences Edition)
基金
国家社会科学基金项目“佛教传播与敦煌文学文体研究”(编号:22BZW067)
教育部哲学社会科学基金项目“唐前佛教杂记文体研究”(编号:19YJA751053)。
关键词
敦煌吐鲁番
丧葬
文体
文化
儒
释
道
Dunhuang Turpan
funeral
style
culture
Confucianism
Buddhism
Taoism
