摘要
魏晋南北朝是中国文论集大成的关键时期,批评家承前启后灵活采用吸纳策略,对传统的著述体例与教训进行转化与改造,营造了如《文心雕龙》般的严密体系,促进了此阶段赋注批评的全面兴盛与繁荣。无论是庞大体系的驾驭力、具体篇章目次与顺序安排,还是语体前后的勾连、评论文体的方式方法,刘勰等批评家充分吸取秦汉以来子书体尤其建安至齐梁间诸多批评文体的优长,实现了文体的融通与集大成,其方法与智慧值得当今文艺学界反思与参照。《文心雕龙》等文体样式的形成,是批评家吸收、转换外来文化与自身本土传统文化的智慧结晶,也为当今全球化时代民族复兴如何面对本土与外来文化,提供了重要启迪。
The Wei,Jin and Northern and Southern Dynasties marked a pivotal period in the development of Chinese literary theory.Critics of this era flexibly employed the strategy of assimilation to bridge the past and the present,transforming and adapting traditional writing styles and lessons.This process helped create rigorous systems,such as the one found in Wenxin Diaolong(The Literary Mind and the Carving of Dragons),which promoted the overall flourishing and prosperity of annotation-based criticism at this stage.Whether in the mastery of huge systems,the order and sequence of specific chapters,or the linking of stylistic elements and the methods of critique,critics such as Liu Xie fully absorbed the strengths of critical styles from the Qin and Han dynasties,especially those from the Jian’an period to the Qi and Liang dynasties,thus realizing the integration and synthesis of literary styles.Their methods and wisdom offer valuable insights for contemporary literary and art scholars.The formation of stylistic patterns like the one in Wenxin Diaolong represents the critics’wisdom in assimilating and transforming both foreign and local cultural traditions.It also offers important lessons for contemporary globalized societies on how to approach the relationship between local and foreign cultures in the context of national rejuvenation.
作者
邓心强
DENG Xinqiang(School of Humanities and Arts,China University of Mining and Technology,Xuzhou,China 221116)
出处
《温州大学学报(社会科学版)》
2025年第1期24-33,共10页
Journal of Wenzhou University:Social Science Edition
基金
国家社会科学基金后期资助项目(18FZW023)。
关键词
魏晋南北朝
批评家
批评文体
赋注
体例
吸纳
Wei,Jin and Northern and Southern Dynasties
Critics
Critical Style
Annotation
Literary Format
Assimilation
