摘要
宋代美学研究正在三大范式基础上转型。宋代美学转型有三大动因:由五代到两宋变动着的多元中华圈,宋代新生的都市大众文化,宋代出现的新型士人群体。宋代美学以士人为主体,士人美学有三大方面特别耀眼:在都市的士大夫群体中产生了士人庭院之高雅艺术体系;士人中的重文群体,在与朝廷画院的互动中,产生了文人画的艺术哲学;士人中未能获得科举功名的群体,在流向社会各阶层的过程中,一部分进入并发展了都市表演美学体系。若用陈寅恪的宋代文化“造极”观看宋代美学的转型,宋词作为造极的核心,具有影响宋代美学研究转型的带动作用。
The studies of aesthetic in Song Dynasty is undergoing transformation based on three paradigms.There are three major driving forces for the transformation of Song-Dynasty aesthetics:the changing multi-ethnic Chinese circle from the Five Dynasties to the Song Dynasty,the newly-emerged urban mass culture in the Song Dynasty,and the new type of scholar-gentry group that emerged during the Song Dynasty.The aesthetics of the Song Dynasty was mainly centered around the scholar-gentry.The aesthetics of the scholar-gentry has three particularly remarkable aspects.First,among the urban scholar-officials,an elegant art system of scholar-gentry courtyards emerged.Second,the group of scholar-gentry who emphasized literature,through interaction with the imperial painting academy,developed the art philosophy of literati painting.Third,among the scholar-gentry who failed to obtain imperial examination degrees,some of them,as they spread to various social strata,entered and developed the urban performing aesthetics system.If we view the transformation of Song-Dynasty aesthetics from the perspective of Chen Yinque′s view of the Song-dynasty culture reaching its″pinnacle″,Song-Dynasty Ci,as the core of this″pinnacle″,has a leading role in influencing the transformation of Song-Dynasty aesthetics research.
作者
张法
ZHANG Fa(The College of Literature and Journalism,Sichuan University,Chengdu 610064,China)
出处
《广州大学学报(社会科学版)》
2025年第1期54-63,共10页
Journal of Guangzhou University:Social Science Edition
关键词
宋代美学转型
多维士人群体
士人美学
宋词
transformation of aesthetics in the Song Dynasty
multi-dimensional scholar-gentry group
scholar-gentry aesthetics
Song Dynasty Ci
