摘要
探讨中国近代漫画本体理论构建,特别是以丰子恺漫画为例,挖掘其艺术属性,尝试归纳廓清近代中国漫画的本体理论的部分特征,为当代中国漫画发展提供理论支撑。通过回顾中国近代漫画发展历程,梳理漫画理论研究现状,指出当前研究的短板。以丰子恺漫画为具体案例,从图文关系及画框符号两方面展开讨论,分析丰子恺漫画中的文字与图像之间的关系,以及画框的符号指涉。同时,对比中西漫画的差异,探讨中国近代漫画的独特艺术属性。中国近代漫画具有泛指性、社会功能多样、注重图文互文等艺术属性,与西方漫画存在明显差异。文字是中国近代漫画中独特的重要元素,文人画属性是近代中国漫画的重要艺术特征。随着科技推进,漫画形式外延扩展,但其本质内涵仍需保持。当代中国漫画应基于清晰自我认知,传承与赓续,以稳步向未来迈进。
The work aims to explore the ontological theory construction of modern Chinese comics,especially by taking Feng Zikai's pieces as an example and dig out its artistic attributes,and try to summarize and outline some features of the ontological theory of modern Chinese comics,so as to provide theoretical support for the development of contemporary Chinese comics.By reviewing the development history of modern Chinese comics,the current status of comic theory research is sorted out and the shortcomings of current research are pointed out.Taking Feng Zikai's pieces as a specific case,the discussion is carried out from the aspects of graphic-text relationship and panel-frame symbols and the relationship between text and image,as well as the symbolic references of the frame in Feng Zikai's comics is analyzed.At the same time,the differences between Chinese and Western comics are compared to explore the unique artistic attributes of modern Chinese comics.Modern Chinese comics have artistic attributes such as generalized references,diverse social functions,and emphasis on graphic intertextuality,which are significantly different from Western comics.Text is a unique and important element in modern Chinese comics,and the attribute of literati painting is an important artistic characteristic of modern Chinese comics.With the advancement of science and technology,the form of comics has expanded,but its essential connotation still needs to be maintained.Contemporary Chinese comics should be based on clear self-knowledge,inheritance and continuation,in order to move steadily into the future.
作者
张景
梅倩
ZHANG Jing;MEI Qian(School of Art and Design,University of Technology,Guangdong Guangzhou 510000,China)
出处
《工业工程设计》
2024年第6期10-18,共9页
INDUSTRIAL&ENGINEERING DESIGN
基金
广东省哲学社会科学规划一般项目(GD20CYS17)。
关键词
中国近代漫画
本体理论构建
丰子恺漫画
图文关系
文人画属性
modern Chinese comics
ontological theory construction
Feng Zikai's pieces
graphic-text relationship
literati painting attribute
