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通俗性与真实性:“文学中的法律”何以可能——《黑骏马》的法学研读

Popularity and Authenticity:How"Law in Literature"Is Possible——A Legal Study of Black Steed
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摘要 当前“文学中的法律”研究陷入了“经典”文学文本匮乏的素材困境。以《黑骏马》为代表,文学创作与法学研究存在天然的价值冲突。为跨越文学与法学的隔阂,应当重塑“经典”标准,建构“通俗性”与“真实性”的双层结构。形式的“通俗性”标准具有补充功能,实质的“真实性”标准具有主导功能。“经典”标准可以容纳《黑骏马》等非传统“经典”作品。从《黑骏马》的法学研读中,可以窥见草原伦理的社群主义本质、普遍正义与个案正义、伦理与理性的冲突等真实问题。 At present,the research on"law in literature"has fallen into the material dilemma of the lack of"classic"literary texts.There are natural value conflicts between literary creation and legal research and Black Steed is such an example.In order to bridge the gap between literature and law,the"classic"standard should be reshaped and a two-layer structure of"popularity"and"authenticity"should be constructed.The formal"popularity"standard has a supplementary function,and the substantial"authenticity"standard has a dominant function.The"classic"standard can accommodate non-traditional"classic"works such as Black Steed.From the legal study of Black Steed,real problems such as the communitarian nature of grassland ethics,universal justice and justice in individual cases,and the conflict between ethics and rationality can be glimpsed.
作者 季晨佳 JI Chen-jia(College of Criminal Justice,China University of Political Science and Law,Beijing 100000,China)
出处 《青岛农业大学学报(社会科学版)》 2024年第4期128-133,共6页 Journal of Qingdao Agricultural University(Social Science)
关键词 法律与文学 《黑骏马》 经典性 通俗性 真实性 law and literature Black Steed classicness popularity authenticity
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