摘要
《觉醒年代》的成功破圈为中国电视剧“精品化”战略实践提供了有益的经验。该剧以一种有温度的方式,讲述了从新文化运动到中国共产党成立之间的历史故事,颇具革命浪漫主义色彩。本文借用洛特曼的影像语言观,对《觉醒年代》中反复出现的动物意象进行阐释,认为“骆驼”呈现了人与社会的双重压抑,“白鸽”传递出革命者的悲悯情怀,“蚂蚁”成为先驱生死之义的见证,“鸡”的出现是对封建糟粕的批判,“猴”完成了对民族病灶的反思。这种创作方式突破了传统叙事语态的限制,丰富了主旋律影视剧的艺术表达。
The success of The Age of Awakening has provided a useful experience for the practice of“quality”strategy of Chinese TV dramas.The drama tells the historical story from the New Culture Movement to the founding of the Communist Party of China(CPC)in a warm way,which is characterized by revolutionary romanticism.This paper borrows Lottman’s view of image language to interpret the recurring animal imagery in The Age of Awakening,arguing that the“camel”presents the double repression of man and society,and the“dove”conveys the compassion of the revolutionaries,while the“ant”conveys the compassion of the revolutionaries,and the“ant”conveys the compassion of the revolutionaries.The“ant”becomes the witness of the pioneer’s righteousness of life and death,the“chicken”appears to criticize the feudal dregs,and the“monkey”completes the reflection on the national foci.This way of creation breaks through the limitations of traditional narrative language and enriches the artistic expression of melodrama.
作者
刘欣如
LIU Xin-ru(College of Arts and Letters,Southwest University,Chongqing 400715,China)
出处
《南阳理工学院学报》
2024年第5期48-53,共6页
Journal of Nanyang Institute of Technology
关键词
觉醒年代
动物意象
表意系统
艺术表达
The Age of Awakening
animal imagery
ideographic system
artistic expression
