摘要
丰子恺古诗句漫画是混合像似符、规约符和指示符的语图文本。像似符和规约符受指示符的连接和引导,使观者在诗人、画家和读者身份切换中实现不同的形象的凝视。在“观看中的观看”的回旋式、嵌套式的凝视结构下,漫画文本断裂出巨大的语义缝隙,呈现出“画有尽而意无穷”的诗意效果。
Feng Zikai’s ancient-verse cartoon is a graphic text that mixes icon,symbol and index.Icon and symbol,connected and guided by index,enable viewers to gaze at different images in transitioning identities of poets,painters and readers.Under the gyrating and nested gaze structure of the“viewing within the viewing”,the comic text breaks out a huge semantic gap and presents a poetic effect of“drawing with infinite meaning”.
作者
倪天伦
NI Tian-lun(Yangzhou Polytechnic College,Yangzhou 225009,China)
出处
《扬州教育学院学报》
2024年第3期43-46,共4页
Journal of Yangzhou College of Education
基金
江苏省高校哲学社会科学一般项目(2024SJYB1568)。
