摘要
为了探究南宋文人园林中文化与艺术的相互作用原理,更好地促进传统园林的文化传承与发展,以南宋盘洲园为研究对象,用景名为切入点来分析南宋盘洲园文学借景的“借用”效果——借时间之“景”、借空间之“景”,并以此达到空间生产的目的。盘洲园的文学借景是南宋文人对“出仕”和“入仕”矛盾心理的反映,也是中国园林与诗词文化交融的现实体现。以盘洲园景名讨论文学借景的同时,借助诗歌这种媒介去感受南宋时期的园林风貌,思考时代背景中的社会文化问题与人文思想,对其进行再认知,整理转换形成当下中国园林文化的实践导向。
In order to explore the principle of interaction between culture and art in the Southern Song literati gardens,and better promote the cultural heritage and development of traditional gardens,the Southern Song Panzhou Garden as the object of study,using the scene as the entry point to analyze the Southern Song Panzhou Garden literature borrowing the effect of the“borrowed”-the“scene”of time,the“scene”of space,and in this way to achieve the purpose of spatial production.Borrowing the time of the“scene”,borrowing the space of the“scene”,and in this way to achieve the purpose of spatial production.Panzhou Garden’s literary borrowed scenery is a reflection of the Southern Song literati’s ambivalence towards“leaving the service”and“entering the service”,and is also a reflection of the reality of the intermingling of Chinese gardens and poetic culture.While discussing the literary borrowed scenery with the name of Panzhou Garden,we use the medium of poetry to feel the garden style of the Southern Song Dynasty,think about the social and cultural problems and humanistic thoughts in the background of the era,recognize them,and organize and transform them to form the practical orientation of Chinese garden culture nowadays.
作者
胡玉琦
彭依帆
Hu Yuqi;Peng Yifan(College of Fine Arts,Hunan Normal University,Changsha Hunan 410012,China)
出处
《山西建筑》
2024年第16期195-198,共4页
Shanxi Architecture
基金
湖南省哲学社会科学基金一般项目:明代文人园林的叙事性书写(项目编号:20YBA166)。
关键词
景名
南宋园林
盘洲园
文学借景
洪适
scenery name
Southern Song Dynasty Garden
Panzhou Garden
literary borrowed scenery
Hong Xie
