摘要
电影《不止不休》对社会边缘群体进行了观照,边缘群体的“困境”在镜头语言下以“冰谷”式的绝地空间形式出现,空间的逼仄与被侵占隐喻着这一群体在现实中被歧视、被倾轧的处境。而这种困境,在“不止不休”的时间杠杆之下被“死火”精神所撬动,边缘群体因此得以突围。电影作者对“不止不休”的时间呈现之下,也包含着对“不止不休”的“死火”精神的致敬与传递。电影作者将“过去”的时间指涉当下,又延伸向未来,并用纪实与“写意”交织的手法表达了对未来社会空间的希冀。
The movie Endless takes a closer look at marginalized groups in society.Language of camera is employed to present an ice-valley-like empty space,which is cramped and encroached,in an analogy to those people's misery of being discriminated and surpassed.However,their endless despair is gradually resolved by the spirit of dead fire,by which they find their way out.While the film depicts marginalized people's never-ending suffering as time flies on non-stop,it also pays tribute to the spirit of ever-live dead-fire.Thus,in the movie,past as a referent represents both the present time and the future,and documentary and imagination are interwoven to express expectation of future social space.
作者
胡慧
HU Hui(School of Literature and Journalism,Inner Mongolia University for Nationalities,Tongliao,Inner Mongolia,028000)
出处
《广州开放大学学报》
2024年第2期102-106,112,共6页
JOURNAL OF GUANGZHOU OPEN UNIVERSITY
基金
2019年度内蒙古自治区草原文学理论研究基地重点项目“改革开放四十年来内蒙古小说中的草原书写研究”(项目编号:2019ZJD041)。
