摘要
无论是对于中国电影还是中国电影音乐,20世纪三四十年代都是一个群星璀璨、佳作辈出的时代。正是这个急剧动荡、变革、转型的特殊时代,将当时中国年轻、活跃、前瞻的黄自、贺绿汀、聂耳、冼星海、章彦、任光、黄贻钧等作曲家统统招致电影音乐创作的前沿,在将中国电影音乐向前推进的同时,也令人看到了电影音乐“海派”在萌动中催生,其中以《马路天使》《一江春水向东流》《小城之春》三部电影音乐作品尤甚。
The 1930s and 1940s were a golden age for Chinese cinema and film music,witnessing a plethora of outstanding works.During this transformative era,composers such as Huang Zi,HeLüting,Nie Er,Xian Xinghai,Zhang Yan,Ren Guang,and Huang Yijun emerged as leading figures in film music compositions.Their contributions propelled Chinese film music forward and laid the groundwork for the emergence of the “Shanghai School” of film music. Three film music works-“Street Angel,” “Spring River Flows East,” and “Spring in a Small Town”-are particularly noteworthy.
出处
《音乐文化研究》
2024年第1期85-94,共10页
Music Culture Studies
关键词
中国
上海
电影音乐
海派
作曲家
China
Shanghai
film music
Shanghai School
composers
