摘要
中晚唐推行的两税法不仅与儒家政治理念相左,而且加重了中下层文士与百姓的生存压力。如此以至于儒学迅速衰落,并导致中下层文士与官方存在隔阂而亲近百姓。这些社会变迁又进一步使得诗歌出现了写自身苦难及写他人苦难两种创作倾向。生存压力及儒学衰落,已经无法再规范贫士们做到安贫乐道,因而出现了写自身的倾向——苦吟派。切肤之痛又使他们更能感知两税法残虐下广大庶民的痛苦心声,儒家温柔敦厚的诗教已经无法再克制其愤怒情绪,因而出现了写他人的倾向——写实派。
Implemented in the middle and late Tang Dynasty,the two-tax law not only contradicted to the political ideas of Confucianism,but also increased the living pressure of the lower-middle-class scholars and common people.This led to the rapid decline of Confucianism and the alienation of the lower-middle-class scholars from the authority as well as the intimate relationship between scholars and common people.Because of the pressure of survival and the decline of Confucianism,it is no longer possible to regulate the scholars to be contented in poverty and devoted to things spiritual,resulting in a tendency to write about themselves-the Kuyin(bitter versification).The keenly-felt pain also made them more aware of the suffering of common people under the tyranny of the two-tax law.The gentleness of Confucian poetic was no longer able to restrain their anger,resulting in a tendency to write about others-realism.
出处
《浙江学刊》
CSSCI
北大核心
2024年第1期191-199,240,共10页
Zhejiang Academic Journal
基金
国家社会科学基金重点项目“中古书籍制度文献整理及其与文学之关系研究”(21AZW006)阶段性成果。
