摘要
主旋律电影作为一种新的电影题材体系在1987年全国故事片会议上被首次提出,逐渐成为传播正能量、弘扬时代精神、讴歌人性人生的影片。文章运用二元对立理论,对主旋律电影《八佰》中的剧情、人物及色彩环境等元素进行详细分析,探讨不同元素间的矛盾对立对电影创作及主题表达的作用。
The thematic film,as a new system of film subject matter,first appeared in 1987.First proposed at the National Conference of Feature Film,it has gradually become the film that offers positive energy,carries forward the spirit of the era,and eulogizes life and humanity.This article makes a detailed analysis of the plot,characters and color environment of the thematic film,Eight Hundred,by using the theory of binary opposition,and probes into the influence of the contradictions from different factors on the creation and theme expression of the film.
作者
卢佳淼
LU Jiamiao(School of Marxism,Jilin Normal University,Siping 136000,China)
出处
《通化师范学院学报》
2024年第1期105-110,共6页
Journal of Tonghua Normal University
关键词
《八佰》
主旋律电影
二元对立
Eight Hundred
the thematic film
binary opposition
