摘要
《一个夏日》是2023年诺贝尔文学获奖得者福瑟的早期戏剧,该剧主要讲述了一个发生在海边的故事。在文本中,福瑟通过对个体空间的创伤再现、人与人之间的欲望纠葛,以及人与物之间的主客体映照的展示,建构了一个虚实并置的戏剧空间。这种独特的空间设置,既有对西方现实主义戏剧的继承,又有对现代派戏剧创作的呼应,揭示了现代人的生存境遇。尤其是他对于个人主体意识与人际交往的困境及模式的关注,更加丰富了作品的艺术特色。
One Summer Day,an early play by 2023 Nobel Prize winner Fosse,focuses on a story that takes place by the sea.In the text,Fosse constructs a theatrical space that juxtaposes the real and the imaginary through the reproduction of trauma in the individual space,the entanglement of desires between people,and the display of subject-object mirroring between people and objects.This unique spatial setting,which is both an inheritance of Western realist theater and an echo of modernist theatrical creations,reveals the existential situation of modern people.In particular,his attention to the dilemma and mode of personal subjective consciousness and interpersonal interaction enriches the artistic characteristics of the work.
作者
常璐芸
王明娟
CHANG Lu-yun;WANG Ming-juan(The College of Literature,Tianjin Normal University,Tianjin 300387,China;Editorial Department of Journal of Hebei Normal University for Nationalities,Chengde,Hebei 067000)
出处
《河北民族师范学院学报》
2024年第1期79-84,共6页
Journal of Hebei Normal University For Nationalities
