摘要
巴赞现实主义电影理论敏锐地捕捉到摄影机作为自动装置的媒介特征,但他的研究没有停留在媒介技术层面,而是与萨特的存在主义哲学进行了呼应,对二战后整个欧洲的精神世界进行批判和唤醒。巴赞现实主义电影理论打通了电影研究中的媒介技术层面和哲学层面,成为一种贯通性的研究。这一研究思路和方法对于解决当前数字媒介背景下电影理论研究所面临的诸多问题具有启示作用。
Bazin’s realist film theory keenly captures the media characteristics of the camera as an automatic device.However,his research does not stop at the level of media technology,but also corresponds with Sartre’s existential philosophy by criticizing and awakening Europe’s postwar spiritual world.Bazin’s realist film theory has opened up media technology and philosophical aspects of film research,and has furthermore turned into a coherent field of study.The research ideas and methods of Bazin’s film theory have brought enlightenment to many problems faced by theoretic film research in the current digital media context.
出处
《艺术探索》
CSSCI
2022年第3期114-120,共7页
Arts Exploration
基金
中国社会科学院大学新文科卓越研究项目“跨媒介文艺的理论建构研究”(02011903820235)。
