摘要
电影《1921》选取1921年作为历史“横截面”刻画建党历程,以影像传承革命历史。电影通过陌生化视角转换再叙述建党历史,拓展期待视野;以类型化元素介入赋予建党故事新体验,扩展新主流电影的美学品质;同时,追求年轻态的多维度审美重塑,引发观众与建党初心的强共鸣,实现了陌生化、类型性与年轻态的三重创新,彰显了新主流电影创新生产的想象空间与多元路径。
"1921"is a key tribute film to celebrate the 100th anniversary of the founding of the Communist Party of China,taking the year 1921 as a historical"cross-section",focusing on a major moment in Chinese history-the convening of the Great Conference of the Communist Party of China,focusing on portraying the party's founding process and passing on the revolution through images history.As a film about Party history,"1921"is out of the ordinary.It narrates the history of the founding of the Party through an perspective of defamiliarization and expands the horizon of expectation.It gives the story of the founding of the Party a new experience with the intervention of genre elements and continues the aesthetic spirit of the new mainstream film.At the same time,it pursues a youthful and multi-dimensional aesthetic reshaping to trigger a strong resonance with the founding of the Party.In the context of the booming times,Party history films are full of broad imaginative space and innovative paths.
出处
《传媒观察》
CSSCI
2021年第7期13-17,共5页
Media Observer
基金
国家社会科学基金重大招标项目“数字媒介时代的文艺批评研究”(19ZDA269)阶段性成果。
关键词
党史题材电影
陌生化视角
类型性介入
年轻态审美
Party history movies
Defamiliarization perspective
genre intervention
youthful aesthetics
