摘要
近年声音/听觉文化研究逐渐兴起并成为国内研究学界的热点。"声"是人类存在与表达的方式之一,也是中国古代艺术一个重要的考察对象和论述主题。殷商是中国艺术观念的形成和奠基时期,探究中华民族文化的声音传统,可把源头追溯到"殷人尚声"这一行为过程和心理体验。它是中国早期历史、伦理、政治和文化实践活动的产物。"尚声"传统与三代礼乐文化及后世文学相互生成,逐步延展到音乐、诗学、美学等各个领域,并发挥重要的政治、伦理、审美等功能。梳理、提炼并研究"尚声"传统这一既有现代意义又有民族特色的艺术话语理论,对中国文艺研究具有重要的理论价值和实践意义。
In recent years,the study of sound/auditory culture has gradually emerged and has become a hot spot in domestic research circles. Sound is one of the ways of human existence and expression. It is also an important object of study and discussion in ancient Chinese art. Shang Dynasty was the formation and finding period of Chinese art concept. To explore the sound-oriented tradition of Chinese culture,the source can be traced back to the behavior process and psychological experience of the Shang people. It is a product of early Chinese historical,ethical,political and cultural practices. The "sound-oriented"tradition and the ritual culture of the Three Dynasties"and literature of later generations had interacted with each other,and gradually extended to music,poetics,aesthetics and other fields,playing an important role in politics,ethics and aesthetics. The academic community has not yet explained the meaning system and theoretical connotation of this tradition. At present,exploring the tradition and evolution of this artistic discourse of both modern significance and national characteristics,has great theoretical value and practical significance for the study of Chinese art and literary theory.
出处
《南京师范大学文学院学报》
CSSCI
北大核心
2019年第4期12-19,共8页
Journal of School of Chinese Language and Culture Nanjing Normal University
基金
国家社会科学基金重大项目《中西叙事传统比较研究》，项目号:16ZDA195
江西省高校人文社科课题:中国古代诗学“尚声”传统的发生及其理论内涵
关键词
声音
“尚声”
审美意识
文化阐释
sonnd
"sonnd - oneptep"
aesthetic conscionsnese
cultural internmtation
