摘要
本文从当代美学出发,对吴冠中的“形式美”理论进行了重新审视和评价。本文认为,吴冠中在同时期提出的“风筝不断线”理论,是对其“形式美”理论的重要补充,从而使之区别于之前的形式主义艺术理论,并克服了其中的缺陷。在对艺术形式进行深入思考的过程中,吴冠中提出的雅俗共赏问题,包含了深刻的理论洞见,值得艺术家和美学家们继续讨论。
The paper reviewed and revalued Wu Guanzhong’s Theory of Formal Beauty from a view of contemporary aesthetics. This paper points out that the Theory of Kite with Unbroken String at the same period was an important supplement to the Theory of Formal Beauty, which made it different from previous formalist theories of art and overcame the defects of them. In the process of thinking deeply about the art form, Wu Guanzhong reconsidered the relationship between refined and low taste, elegance and vulgarity, which comprised deep insight and is deserved to be further discussed by artists and art philosophers.
出处
《艺术设计研究》
CSSCI
2019年第3期107-112,共6页
Art & Design Research
关键词
吴冠中
形式美
风筝不断线
形式主义
Wu Guanzhong
Formal beauty
Kite with Unbroken String
Formalism
