摘要
林怀民创编、云门舞集现代舞团表演的舞蹈《微尘》,以弥漫于舞台的间浓间淡的烟雾喻示着不可预知的天灾人祸。绝望后的觉醒,一如食指般“相信未来”,方是人类的希望所在。相信“天助自助者”是以上帝视角俯视在无望中挣扎的“微尘”却并不绝望的意义所在。作为一个艺术家,林怀民无论在何种语境下,始终坚守艺术的自由和纯粹,保持了难能可贵的艺术想象力和创造力。以思想性和哲理性为追求的现代舞蹈家需要调和矛盾、适应观众,但观众同样需要被引导、被培养。林怀民创编的《白水》和《微尘》恰好代表了现代舞的两个向度的追求:纯粹的美的享受或追寻生命的意义和价值。
The dance“Dust”,created by Lin Huaimin and performed by Cloud Gate Modern Dance Troupe,symbolizes unpredictable natural and man-made disasters with the light or thick smoke permeating the stage.The awakening after despair and believing in the future just like the index finger are the hope of mankind.Believing that“God only helps those who help themselves”is to look down at the“dust”struggling in hopelessness from the perspective of God,but not what despair lies in.As an artist,Lin Huaimin has always adhered to the freedom and purity of art and maintained his valuable artistic imagination and creativity in whatever context.Modern dancers pursuing ideological and philosophical principles need to reconcile contradictions and adapt to the audience,but the audience also needs to be guided and trained.“White Water”and“Dust”created by Lin Huaimin exactly represent the pursuit of two dimensions of modern dance:the pure enjoyment of beauty or the pursuit of the meaning and value of life.
作者
张江艳
ZHANG Jiangyan(Beijing Vocational College of Labor and Social Security,Beijing 100029)
出处
《北京劳动保障职业学院学报》
2019年第2期66-70,F0003,共6页
Journal of Beijing Vocational College Of Labour And Social Security
