摘要
老乌兰恰特剧场是内蒙古自治区于1953年在首府呼和浩特市建造的经典民族形式建筑。文章试图从建筑形态学的视角出发,将该建筑的形态与其设计时参考的藏传佛教召庙殿堂形态作比较,进而归纳出该建筑形态的生成模式。
The old Wulanqiate theatre was a classical ethnic architecture built in Hohhot, capital of Inner Mongolia autonomous region, in 1953. From the perspective of architectural morphology, this article attempts to compare the architectural form of this building with the architectural form of Tibetan Buddhism temple, and then concludes the generation mode of this architectural form.
出处
《建筑与文化》
2019年第4期238-239,共2页
Architecture & Culture
关键词
民族形式
建筑形态
生成模式
对位
national form
architectural morphology
generatio nmode
contraposition
