摘要
电影是一门集多种艺术元素于一体的文化,更是文人开展美学研究的重要内容之一。纵观各种各样的电影作品不难发现,符号元素在其中占据着非常重要的作用,成为电影作品中不可或缺的组成成分。随着电影事业的不断发展,符号美学理论也在近些年得到大力发展,并已初具规模。由贾樟柯执导的电影《山河故人》中多处运用符号元素,彰显了大时代背景下的人物、情感、社会变迁,为深入探寻《山河故人》中的东方美学和文化内涵,现对《山河故人》符号元素的运用进行分析和解读。
Movie is a kind of culture which assembles varieties artistic elements, and is also one of the important contents from which literary men carry on aesthetics studies. It＇s not difficult to find throughout all kinds of films that symbolic elements play very important role and become an indispensable component in films. With the continuous development of the film industry, the symbolic aesthetic theory also gets developing in recent years and has begun to take shape. Many symbolic elements are used in the film Mountains May Deport directed by Jia Zhangke to manifest the changes of characters, emotion and society in the historic background. With the aim of further exploring the eastern aesthetics and cultural connotation contained in Mountains May Deport, this paper analyzes and interprets the use of symbolic elements in the film.
出处
《黑河学院学报》
2017年第6期185-186,共2页
Journal of Heihe University
关键词
电影
《山河故人》
符号
解读
the film
Mountains May Deport
symbols
interpretation
