摘要
文化意象是凝聚民族智慧和历史记忆的文化符号与认知图式。文章从文学人类学的视角出发,运用四重证据法的立体释古方法论,在大传统新视域中对"虹"文化意象进行多维度、系统性解读。借助甲骨文的释读成果、多民族口耳相传的活态民族志以及作为显圣物的玉璜叙事,突破传世文献记载的遮蔽与误导,再现虹的祯祥、丰稔、交合寓意,并将中华儿女根植于心的龙文化信仰溯源至远古时期的虹文化信仰。可见,四重证据法对于中国大传统文化观的重构与再塑意义愈发显著。
A cultural image is a kind of cultural symbol and cognitive schema,which can make the national wisdom and historical memory get together. From the view of literary anthropology,the article applies quadruple-evidence approaches to interpret cultural images of rainbow multi-dimensionally and systematically in the field of the great tradition. Meanwhile,in order to break through the concealment and misleadingness of ancient documentary records,we need rely on the interpretive result of oracle bone inscriptions,the multi-ethnic living ethnography from generation to generation and semi-annular jade pendant narrative in the form of hierophany. So we can find that the rainbow represents luckiness,a bumper harvest,and sexual intercourse.Moreover,we conclude that faith in rainbow culture in ancient times is the headstream of faith in dragon culture that rooted in the heart of all Chinese. Hence,quadruple-evidence approaches play more significant roles in the reconstruction and rebuildingof Chinese great tradition＇s view of culture than before.
作者
孙凤娟
公维军
SUN Feng-juan GONG Wei-jun(School of Sociology And Anthropology, Sun Yat-Sen University, Guangzhou 510275, China School of the Humanities, Shanghai Jiao Tong University, Shanghai 200240, China)
出处
《浙江工商大学学报》
CSSCI
2016年第5期23-30,共8页
Journal of Zhejiang Gongshang University
基金
国家哲学社会科学基金重大项目"中国文学人类学理论与方法研究"(10&ZD100)
关键词
四重证据法
大传统
文化意象
虹信仰
玉璜叙事
Quadruple-evidence Approach
Great Tradition
cultural image
faith in rainbow culture
Semi-annular Jade Pendant Narrative
