摘要
本文从三个角度观照前后蜀教坊的发展及变化,得出如下结论:一是前后蜀教坊不同于盛唐教坊的特点主要表现为教坊权力的扩大和教坊乐人地位的提高。二是前后蜀教坊的变化实则反映出中唐至五代期间以雅乐与俗乐此消彼长为特点的博弈关系。三是前后蜀教坊的内容及性质变化是导致北宋教坊乐礼、俗兼备特点的重要原因之一。
This paper discusses the development and changes of the musical houses in the Former and Later Shu Dynasties（907--965） from three aspects.First,the differences of musical houses in the Former and Later Shu Dynasties（907--965） from Tang Dynasty（618--907） are embodied in the power extension and the rise in social status of the musicians.Second,the changes of the musical houses in the Former and Later Shu Dynasties reveal the relation between the court music and the popular music in their competition since Mid-Tang Dynasty and Five-Dynasty Period（907--960）.Third,the changes in materials and nature are one of the important causes for the musical houses in Northern Song Dynasty（960--1127） to absorb court and popular music together.
出处
《贵州大学学报（艺术版）》
2016年第1期94-101,共8页
Journal of Guizhou University Art Edition
基金
贵州师范学院社会科学研究基金项目"前后蜀宫廷音乐机构研究"(项目编号:14ZC014)
关键词
前后蜀
教坊
乐营
雅乐
俗乐
the Former and Later Shu Dynasties
musical house
musical workshop
court music
popular music
