摘要
体育赛事组织者只能凭借对赛事场所的物权设定他人入场并进行直播的条件,不能根据自身的章程原始取得对直播画面的著作权或邻接权。由于在对体育赛事进行直播时,摄像机的设置需要遵循一定规范,且导播对画面的选择需要满足观众的稳定预期,因此独创性程度有限。我国《著作权法》并未将"固定在物质载体上"规定为作品受保护的前提,同时还规定了用于保护广播信号的广播组织权。降低对独创性的要求、将直播画面认定为作品,将在很大程度上降低使广播组织权的意义。因此对现场直播画面的保护,应当通过完善《著作权法》对广播组织权的规定加以实现。
The organizer of a sport event enjoys the ＂ house right＂ and may set conditions for others to enter the stadium to broadcast the event on the real time basis. But it cannot enjoy the original copyright or neighboring right of the moving images of the live broadcast by its charter. Since the cameras set for the broadcast must meet certain standards and the director＇s selection of images should satisfy TV audience＇s stable anticipation,the originality of the moving images which form the live broadcast is limited. In China＇s Copyright Law, ＂ fixation on physical object＂ is not a condition for a work to be protected. In addition,there exists broadcasting organization＇s right to protect the broadcast signals. If the requirement of originality is loosened to protect the moving images of live broadcast as the work,the significance of broadcasting organization＇s right will be dramatically reduced to the detriment of the logic of the Copyright Law. Therefore,the best way to protect live broadcast is to improve the provision on the right of broadcasting organization.
出处
《法律科学（西北政法大学学报）》
CSSCI
北大核心
2016年第1期182-191,共10页
Science of Law：Journal of Northwest University of Political Science and Law
基金
国家社科基金重大项目(14ZDC020)"互联网领域知识产权重大立法问题研究"
关键词
体育赛事现场直播
独创性
广播组织权
live broadcast of sport event
originality
broadcast organization＇s right
