摘要
在现当代著名美学家中,朱光潜与众不同的地方在于,他非常坚定地认为美学是一门社会科学。他的这一判断的依据是他一生对美学学科性质的研究的总结,他早年侧重从心理科学角度来研究美学;中年更加倾向把美学看作人文科学;晚年通过马克思和维柯的研究才找到了和早年自己受影响比较大的克罗齐和黑格尔的历史学派的思想传承关系,从而确立"美学由文艺批评、哲学和自然科学的附庸发展成为一门独立的社会科学"的命题。考虑到美学的自然科学属性、人文社会科学属性、社会科学属性在朱光潜不同美学思想发展中各有侧重,藉此细致分析他在不同时期对美学定位的思想,可以逻辑推导出他最终将美学视作社会科学的结论,这一结论应该引起学术界的重视。
In the contemporary famous aestheticians,Zhu Guangqian firmly believed that aesthetics was a social science. At this point,he was probably the only one,which was based on his lifetime research results summary on the subject nature aesthetics. In his early years,he placed emphasis on psychological science approach to study aesthetics. In his middle age,he was more likely to see aesthetics as Humanities. In his later years,he founded the idea of inheritance relationship between Croce and Hegel's Historical School through the research of Marx andVico. Thus he established the proposition of'Aesthetics was from client development of literary criticism,philosophy and natural science to develop into an independent social science '. Taking into account Zhu Guangqian's the aesthetic thought's natural science attribution,humanities and social science attribution and Social science attribution in different periods with different emphases,we carefully analyzed his aesthetic orientation thought in different periods,logically deduced the conclusion that he eventually saw aesthetics as a social science,this conclusion should arouse the attention of the academic circles.
出处
《清华大学学报（哲学社会科学版）》
CSSCI
北大核心
2015年第6期28-39,189-190,共12页
Journal of Tsinghua University(Philosophy and Social Sciences)
基金
国家社会科学基金一般项目"朱光潜年谱长编"阶段性成果(12BZX085)
