摘要
有关抗战文学的发生,学界一直关注不够,仅有的论述也大都侧重于强调共产党领导下的《新华日报》副刊以及左翼人士主导下的"文协"的成立。然而,重新考察和分析《中央日报》和《新华日报》副刊,从"卢沟桥主题艺术运动"的策划到联合作家们团结起来成立"文协"等全国性组织,都是由《中央日报》及副刊或台前或幕后所主导。事实上,《中央日报》、《新华日报》这两大报纸副刊共同处在民国历史文化这一语境下,它们之间并非只是对台戏,还有更多复杂的关联,由此可以帮助我们进一步发掘抗战文学的丰富性、多元性和开放性。
The Chinese academia has largely focused on the Xinhua Daily under the leadership of the Chinese Communist Party and the establishment of Literature ＆ Art Association by leading leftists as the driving force behind the genesis of Anti-Japanese War literature, to the neglect of other things more important. This paper, through reinspection and analysis of the Central Daily and the Xinhua Daily supplements, points out that the Central Daily and its supplements actually orchestrated the series of critical events from planning of the Lugou Bridge Thematic Art Movement to the eonsolidation of national organizations, such as the establishment of Literature ＆ Art Association. As a matter of fact, in the context of the Republic of China history and eulture, the relationship among the Central Daily, the Xinhua Daily and their supplements showcases not only competition but also an Anti-Japanese war literature featuring richness, diversity and openness.
出处
《首都师范大学学报（社会科学版）》
CSSCI
北大核心
2015年第3期94-102,共9页
Journal of Capital Normal University：Social Science Edition
基金
中央高校基本科研项目重点项目"民国历史文化与抗战文学研究"(SWU1309379)
重庆抗战大后方研究协同创新中心科研基金培育项目(CQKZ20130302)的阶段性成果
关键词
《中央日报》
《新华日报》
民国机制
抗战文学
Central Daily
Xinhua Daily
mechanisms of the Republic of China
Anti-JapaneseWar Literature
